A glaze fault is evidence. Pinholes, crawling and crazing all look like surface problems and all have different causes, and treating the wrong one wastes a kiln load. This is the diagnostic table: what each defect looks like under a lens, which of the four variables — application, bisque, firing, or fit — is responsible, and the one change that fixes it without breaking the glaze.
H 11 · Ø11 / Ø11.5 / Ø6 cm
Pinholes and blisters: gas, not holes
Pinholes are small craters with a visible base; blisters are raised bubbles that may or may not have broken. Both are gas escaping through a glaze that has already sealed. The gas comes from three places: air trapped in the clay body, carbon left over from an incomplete bisque, or the glaze itself decomposing.
Diagnose by location. Pinholes scattered evenly across the whole surface mean the glaze is too thick or the bisque was under-fired. Pinholes concentrated around the base and the foot mean the body was not dry when it went into the bisque. Pinholes in one patch mean a lump of unmixed glaze material. Fix by re-bisquing higher, thinning the glaze, or sieving to 80 mesh.
Crawling: the glaze pulled back
Crawling shows as bare patches of clay with the glaze drawn back into beads around the edges. It happens when the glaze cannot adhere to the body: dust or oil on the bisque, glaze applied too thick, or a glaze whose shrinkage in the early part of the firing is much greater than the body's.
The fast tests: wipe the bisque with a damp sponge before glazing, drop the thickness to 0.35 mm, and check whether the glaze has a high clay content. Adding 2 percent bentonite to a crawling glaze usually fixes it by giving the dried layer some flexibility. If the crawl only happens over a waxed area, the wax was not fully burnt out.
Crazing and shivering: a fit problem
Crazing is a network of fine cracks in the glaze; shivering is the opposite, where flakes of glaze come away from the edge. Both are thermal expansion mismatches, and they point in opposite directions: crazing means the glaze contracts more than the body on cooling, shivering means it contracts less.
Fix crazing by increasing silica in the glaze by 3 to 5 percent, or reducing the alkali — sodium and potassium are the biggest contributors to a high-expansion glaze. Fix shivering by adding alkali or reducing silica. Test on tiles before committing a kiln load: a fit test at cone 6 takes one firing, and a crazed glaze on a functional pot is a defect you cannot sell.
Pinholing versus speckling versus underfiring
Speckling — small dark dots — is usually iron or rutile particles that were not sieved out; it is sometimes desirable, and if you want it, sieve to 60 mesh rather than 80. A glaze that looks dry and rough rather than glossy is usually under-fired: check the witness cones before changing the recipe, because a shelf that ran one cone cool will make every glaze on it look wrong.
The diagnostic order that saves the most time: check the cones first, then the thickness, then the bisque, and only then the recipe. In a studio that keeps records, the recipe is almost never the problem.
Steps
- Examine the fault under a 10x lens and classify it as crater, bubble, bare patch, crack network, flake or speckle.
- Check the witness cones from the firing before changing anything about the recipe.
- Measure the glaze thickness on a test tile with a scale test; anything over 0.6 mm explains most pinholes and crawls.
- Wipe the bisque with a damp sponge and re-glaze one test tile to isolate a dust or oil problem.
- For crazing, add 3 to 5 percent silica; for shivering, add 2 percent feldspar, and test on tiles.
- For crawling, add 2 percent bentonite and reduce the thickness to 0.35 mm.
- Re-bisque at one cone higher if pinholes cluster around the base and foot.
- Record the change and the result against the firing number so the same fault does not get re-diagnosed.
Where it goes wrong
- Changing the recipe first. In a studio with records, the recipe is the least likely cause of a fault.
- Diagnosing from a photograph. Thickness and texture are invisible in a photo; look at the pot.
- Fixing a fit problem by changing the firing schedule. Crazing is a materials problem and a soak will not solve it.
- Adding silica to a shivering glaze. Shivering and crazing need opposite corrections.
| Symptom | Cause |
|---|---|
| Pinholes clustered at the base of a pot | the bisque was under-fired or the pot was not dry; re-bisque one cone higher. |
| Bare clay patches with beaded glaze edges | crawling from dust, oil or over-thick application; wipe the bisque and reduce thickness. |
| Fine crack network across a whole glazed surface | glaze expansion is higher than the body; add 3 to 5 percent silica. |
| Glaze flakes off the rim edge | shivering; add 2 percent feldspar and re-test on a tile before a full load. |
Recipe and schedule numbers here were recorded on the workshop’s own kiln. A different kiln, a different thermocouple position or a different clay batch will move the result, so treat every firing schedule as a starting point and keep your own log beside it.
Same cone — Cone 6
- Centering a 1 kg ball: wheel speeds, hand positions and the wobble test Stoneware
- Glaze thickness by the numbers: specific gravity, dip seconds and grams per area Stoneware
- Opening and flooring: how thick the base actually needs to be Stoneware
- Rolling slabs to an even 8 mm and joining them so the seam outlives the pot Stoneware
- Spiral wedging a 5 kg batch without trapping air Stoneware
- Throwing a 24 cm cylinder from 1.5 kg: the proportions that keep it standing Stoneware